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Content
 Wolfram zu Mondfeld " Historic Ship Models "
Page 25      
Masts and yards
Names of masts and yards    
Proportions of masts and topmasts    
The Mast    
Masthead
Crosstrees and caps  
Tops
Topmasts
Bowsprit, sprit topmast, jib boom
Proportions of yards
The yards
Spare spars; Studding sail yards and booms
Yard
The Lateen yard and gaff
Ropes and blocks
Ropes
Blocks
Block strops
Belaying pins
Sails
Sailmaking
Bonnets and reefs
Bending the sails to the yards
Gaff sails
Staysails, spritsails, furled sails
Set of sails for a warship around 1750
Standing rigging
Bowsprit gammoning
The Bobstay
Loading tackles
Shrouds
Backstays
The Stays
The Sprit topmast backstay
The Jib boom rigging
Running rigging
Halyards and slings
The Parral
The Lifts
Development of the lifts
The Braces
Sheets and tacks
Clew lines
Bowlines
Gaff sails
Staysails
Studding sails
Lateen sails

  Ropes and blocks
 

Blocks and ropes.
Ropes Cables.
Chains.
Blocks Block strops. Deadeyes
Hearts.
Fiddle block
Belaying pins.
Cleats
Thimbles.
Rigging screws


    I find it astounding how many ship modellers will take almost infinite pains to construct their model's hull, all the minute detail fittings and all the intricate strops and lashings, only to ruin the rigging by using the first length of thread they find, in conjunction with ill-proportioned commercially-made blocks - perhaps even made of plastic.
The manufacturers of model kits of otherwise high quality must take their share of blame here. One well known modelling company currently supplies a total of three different sizes of block. ..It is not this book's purpose to tell horror stories and hurl brickbats, but we have to say to the modeller working from kits that he should at the very least submit the rigging plans and the materials supplied by way of thread and blocks to a thorough going over. For reasons of rationalization commercial firms nearly all tend to make the rigging  the lower masts and yards too light, and that for the topmasts and
yards too heavy. The beauty of a model ship depends to a considerable extent on the correct gradation of rope thicknesses and block sizes, which become thinner and smaller from bottom to top, following a
strict code of proportions.   
     Now, you have to obtain your thread somewhere. And the prospect of making your own blocks and deadeyes (300 to 500 of them) plus 100 to 150 belaying pins -as would be needed to rig a three-master -leads many a modeller to hope that commercial sources will be able to offer some help. So let us look at the possibilities: The "rigging thread" at present offered by the modelling companies with the exception of the Graupner type -is not at all suitable for a high quality model. The best source of supply for model ropes is a bookbinder, a furrier ( skin processor) or a jeweler ( cords for pe chains). Crochet threads (needlework stores) are also highly suitable. as they are available in a wide range of accurately calibrated diameter Take care! Never use synthetic threads (nylon etc.), and never use plastic blocks. Wooden blocks are offered by several firms, but they all have in common the fact that the number of sizes of block offer is too limited, and that their blocks are too angular for ships earlier than about 1815; this means you will have to modify them all
(see BLOCKS).
  Things look better with round deadeyes -thank goodness, for they are almost impossible to make if you don't have a lathe -but this path unhappily leads to a dead end if you are searching for triangular deadeyes, hearts and all the special forms of block -- sheet blocks, ramshead blocks, clew-line blocks, fiddle blocks etc. -and the only way out is to make them yourself.
     Wooden belaying pins are often slightly too thick, and need to be slimmed down, although brass belaying pins of good quality are obtainable. They can only be used for ships after 1830.
     Blocks, deadeyes, cleats, belaying pins etc. were almost always a medium to dark brown in colour (not black), which can easily be obtained by staining. One little tip here: thread the blocks, deadeyes etc. onto a thin thread and dip the lot in the stain. Then hang up the thread and let them dry out before using them.