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Exotic
contrasting
woods were used in American ships for saloon and cabin panelling, or a
white enamel finish with gilded mouldings and flowered ornamentation on
the heads of fluted pilasters. Numerous framed mirrors and stained
glass windows were also featured and there were more skylights to give
light and air than on the British ships. The accommodation deck heights
of 7 to 8 ft were higher than the British, which were under 7 ft, their
deckhouses averaging 6 ft.
American deckhouses also favoured an overhanging deck edge on
the fore side supported by long carved brackets. This was another
indication of the relative dryness of American ships with their high
freeboards, as such overhangs on British clippers would soon be damaged
by seas.
The larger British sailing ships later in the century did have
overhanging decks to the poop front, but they were not such wet ships
as the clippers. Even so it was a
dangerous form of design as a man could be lifted by a body of water
and have his skull cracked under the overhang-which sometimes happened.
Externally the hulls on American clippers were frequently
described as being glass smooth with an enamel-like finish. The seams
of such planking would be finished off with a putty compound over the
caulking. This would last until the ship started straining, when the
seams would inevitably show again. No doubt many British clippers had a
similarly high quality finish also, but in some cases the adze was the
finishing tool. The Cutty Sark when seen with light reflecting on the
hull shows these adze marks quite distinctly, but possibly in her case
the finishing touches were rather hasty, owing to financial troubles
during her building.
The hull planking on wooden ships was thicker in the region of
the waterline and some distance above it, this part being called the
wales. In earlier times this
thickened planking was made distinctly visible by a definite step down
to the thinner planking both above and below it, and was usually
painted black. Towards the period of the tea clippers the step was
being eliminated by a gradual tapering down over three or four planks,
at first on the lower side and then the upper, so that the whole hull
had a smooth appearance. This was the case with the British clippers
and some of the Americans. Other American clippers retained the upper
step, sometimes with a moulding, which left a narrow strip of the hull
between it and the planksheer, known as the waist. This area could
occupy about six planks or less.
The bulwark planking was invariably thinner than the hull
planking and consequently the top of the planksheer formed another step
down, and as the planksheer projected, often as a special moulding, it
formed quite a distinctive step. American clippers could therefore have
as many as four mouldings on the hull if we include amain rail and
monkey rail or topgallant rail.
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